Showing posts with label Anger. Show all posts
Showing posts with label Anger. Show all posts

Wednesday, May 25, 2016

Lemon Trees, Tears and Sorrows

However chaotic and distorted one’s perception is, the artist has to reassemble by his contemplation over the wounds. For a momentary salvation. For recuperation. For Consolation. It takes so much time in one’s life to lift the fog and discern the falsity of appearances. But it never ceases. The distorted vision never ceases as long as we are incapable of an unknown sainthood.

 As it’s always said an author is an isolated being. Detached. To comprehend the reality with vividness. The isolation is a choice. And the choice is for others and for oneself.

Lemon Tree. The movie is the story of struggle and defeat. The lemon tree grove- thick and fragrant- with the yellow fruit flourished- big yellow spots all over the field. The woman nourished and looked after the tree for five decades- the land and art she inherited from her father. Her emotional attachment and her courage to not let them go- to not let them be uprooted for the defense. The story is poignant. The woman is courageous- admirable- melancholic. Have I been in her place would I have struggled that long- to protect one’s own grove? Do I have the capacity to love and feel for the lemon trees with the intensity with which she feels? Sheer empathy will not give us a glimpse of her exact feelings. One has to experience in real in one’s own life with the given circumstances.

Circumstances. It would be such a curious an act to imagine people displaced in alien circumstances and how would they react, contribute, refute or accept. It would be curious to know how would they hold one human being despised and abandoned by the other. “What are you thinking? What have we done to each other?” Words somewhere from a thriller movie echo my thinking. Why should we destroy each other in possession with each other if possession is all that about it. If love only means one thing and should mean one for all.

Who can see you beyond your skin? To define you not by the loss or the preserve of your virginity, not to measure inch by inch the corporeal taints, not to see you as filth of another man. But to see beyond your smiles a silent suffering, shivering murmur and shocking nightmares. Who can judge the sanctity of your soul against the sanctity of your flesh and bones? There are nails sprouting to bleed my clenching fists when all the roaring definitions come back to my memories. Dallying along my solitary path. You could hug a tree and rub your tears on its rough bark and bruise your face. You could climb over it with your staggering wavering limbs all the way to the top, and hide somewhere among the branches, with such a quietness of an angelic grace or a demonic stealth (for both are undifferentiated in today’s world)  with only the wind among the leaves hissing on your ears, curbing the heart wrenching human sounds. H U M A N   S O U N D S. As heavy as an unadmitted guilt, all glittery and showy, with poison tucked in on each man’s sleeve and the polishing façade of truth so untrue.


My survival is my own effort. The more I am humiliated the more I find my worth. The more I am condemned in the name of some man made institution of relationships, the more I see its dishonesty, its futility, its fear of human weaknesses and how it struggles to ward off the ever threatening daring souls by malice and cowardice. For there is strength in sorrow. There is acceptance in sorrow. There is clarity and discernment of truth in sorrow. There is compassion in sorrow.     


Saturday, January 28, 2012

"Mortified, Petrified, Stupefied!"


The wound is ripe
To be sliced and consumed
Before it consumes her.
Pardon me for the grotesque imagery
It slipped out
Of my grotesque contemplation
With a deliberate ease and arrogance
Of utmost feminine frailty.
(Can you please compare this
With a Sylvia Plath gloom
Dipped in “black shoe daddy” memories
And battered by a “red heart biting Ted Hughes”?)
My heroine in the poem
Demanded some drama-
Like ”plucked out Oedipus’s eye balls”
Staring at the wound on the empty sockets.
But that would be-
Too “rationally cartoonish”, lively and manly.

The wound is really really ripe,
Yellowish and yellower
And eternally yellow
When the cart wheeled and wheels
Quietly over centuries
With one Sylvia to another
Mortified, petrified, stupefied”-
And mutely brewing inside!
Can it be consumed 
Before it consumes further?